Whose Objectives Are They, Anyway?

I am an instructional designer. With quite a bit of education in the area of how adults learn, there is one thing that overshadows everything I do that involves education, human resource development, organizational communication, and the consulting work I do–What needs and expectations do learners have that education and communication try to meet? In other words, when I write learning objectives, they are just that–my objectives . . . and not the learner’s. I would set my classes up for failure if I did not acknowledge this very clear, but often overlooked, fact. The learners come with their own expectations and personal objectives, and for me to ignore them and insist on their fulfilling my objectives for them is just silly. Let’s face it, how can I realistically evaluate how well people meet objectives I am forcing them to accept and work toward?

Of course, that is what instructional design is all about–setting objectives to meet organizational needs.

No, we can not and should not get rid of objectives, because without them we lack some direction at all. I am only concerned when the unspoken, namely whose objectives are they, anyway? is ignored.

I have been thinking about this since I attended a session last night in the New Media Consortium’s (NMC) Symposium on Mashups. The presenter of the final session, Brian Lamb (a distant colleague whom I have met briefly twice at Northern Voice and who is a most dynamic presenter), facilitated an experience entitled “Confessions of a Mashup Un-Artist.” It was described as:

The creative side of mashups results in interesting and often popular-to-the-point-of-viral works, but at the same time, it raises questions about the nature of originality, authorship, and context. In this session, a mashup un-artist will discuss the process and products of his work, address some of the questions raised above, and discuss the relationship between remix culture and open education. Is originality overrated? Do we owe it to the intellectual environment to recycle our intellectual work? Is our existing concept of authorship still valid? Come along for the ride and contribute, collaborate, and mash up answers to these mashup questions. I attended this live in Second Life (where I am a newbie named Chartres Loire) and live in Adobe Connect (a great platform, BTW). There were video clips, music clips, avatar dancing, and various sounds. The session met the description, but nevertheless I was confused. Frustrated. Unclear as to the objectives. Grasping to “get it.” Looking for applicability. Struggling for meaning. I was that student who felt (s)he were the only one confused and not “getting it.”

I processed this a lot with some colleagues on Twitter last night, and it still seemed that I was the only one (of those who replied to me) who did not “get it.” Feeling completely isolated after this learning experience, I again started to think about learning objectives. Were Brian’s objectives the same as mine? More likely than not, the answer is no. How could they be–we did not discuss them (which is normal in most learning and presentation settings). I think I did not “get the session” for the simple reason that my objectives were not met. What were they? My objectives for the session were:

  1. understand what a mashup un-artist is
  2. apply this knowledge to my practice

After the session and after the Twitter discussion, I am still unclear as to what Brian was trying to demonstrate and I am still not able to figure out how to apply it. At least many of my colleagues seemed to respond positively and appreciate it.

While writing helps me to process my thinking (the entire purpose for my blog itself), I could only make sense of the experience when I finally realized my objectives were not met. This does not mean that other people had the same or different experiences, but I believe it does demonstrate how acknowledging individual (and thus different) learning objectives is so important in the learning process.

I think I still need to process this a little more, but want to share where I am right now.

Project Management for Training

I am teaching a new class that begins next week — Project Management for Training. The course description is listed as:

Whether you’re conducting a single training session for a small audience or multiple sessions for a large group, a training program–like a project in any other discipline–must have an effective plan to guide and track progress. This class provides you with a planning process and teaches you techniques to prepare and deliver training projects consistently and effectively. Focusing on logistics, rationale, scope, timescales, risk management, and budget, you acquire the skills to communicate with the training project’s stakeholders to ensure optimum performance.

I am looking forward to teaching this class, as I am able to bring my skills as a senior instructional designer (my full-time title) and project management (what I primarily do right now) and merge them with my expertise in adult education and human resource development (two of my graduate degrees).

After working in this field for some time now, this this seems to be my life recently . . .

project management

I am interested in seeing if anybody has any useful references or websites they want to share, as well as any stories about how they have seen project management brought into the training function. Any thoughts?

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